I am – somewhat to my surprise – approaching the end of another draft of Oneiromancer. This is the fifth time I’ve been though it; here are some random-ish thoughts on the process and the results.
- It’s done! Until the next time I do it, it’s done!
- It took forever. Due to child-wrangling issues and the perversity of life in general, this draft took around ten months to complete
- Because of this, changes I made in August took until February to be acted upon. This is not ideal, but…
- …It was aided by my Big Spreadsheet of Things, upon which I noted the page numbers of each chapter, a rough account of what happens in each scene, and through whose eyes we view it. This meant finding errant links was simpler than would otherwise been, and swearing was kept to a minimum
- This is, hopefully, the last really substantive edit I’ll have to do…
- …But I know this won’t be the case as no novel survives contact with the industry
- The problem with taking a long time over an edit comes when you take a big chunk o’ work from the beginning and reinsert it two-thirds of the way through. Can you remember just what you were thinking six months earlier? You can not. If you’re lucky you left yourself a treasure map and a series of ever more intricate clues which lead you further and further into a conspiracy spanning continents, decades, and, quite possibly, planes of existence
- Cryptic notes are often worse than no notes
- If you can cut, cut. Unless you shouldn’t. In which case, add
- Writing is confusing
- The novel is, generally, not too bad: much of the plot hangs together…
- …But I still worry, especially about characters, mood, and finding the right balance between description and overwhelming the reader
- The climax still thrills me, which is clearly a good sign. The problem is that, in this state, you can miss errors as you’re too eager, or too much seeing what you want to see and not what’s actually there
- Worrying over fine details is, at this stage, pointless. If the hook’s strong enough, if I can get someone to read past the first ten chapters they’ll stick with me until the end. Then they’ll tell me everything I did wrong and I can fix it
- Getting someone to read past the first ten chapter (and by ‘someone’ I mean an agent or editor) is the tricky bit
- The novel currently stands at 125,776 words. The previous draft was 130,767. That’s a trimming of 4,990 words, or (roughly) a twenty-sixth. Should more go? Draft One was 140,034, so we’re heading in the right direction. Obviously I’m presupposing that shorter is better, but that’s not true. Leaner is better, but muscle weighs more than fat and skeletons rarely know true love
And that’s all, folks. Now I have to think about something different to blog about for the next few weeks until I’m deep into a new project. Hopefully I’ll have exciting Night Shift news for you soon too. Smoke me a kipper, wonderful folk, and I’ll be back for breakfast.