I have a rule. No, that’s not true. I have a theory, an idea, and it’s this: after every big change you need to make at least two more passes of your manuscript before you can send it out into the great wide world.
At the moment I’m doing major revisions to my latest work-in-progress. This is a good novel (I think) but one upon which I stuffed a little in the character department. I have a plan to combine two characters into one easy-to-swallow morsel. This obviously involves a lot lot lot of work.
So what I’m going to do is this: I’m going to concentrate on that job. I’m not going to worry so much about the actual words I use. I’m not going to worry too much about little slips or finding the perfect prose. This draft is for big things: for who does what and when and how. Not about perfecting the micro-expressions or the tiny gestures.
And that’s why I’ll need another draft when this is done. I’ll need a troubleshooting pass, a precision-engineering job after the great earthmoving of pass #1 (actually pass #6, but it’s been a while since the last one). I need to make sure the voice is right, the silences are on cue and the smiles are from and to the right people.
So: two passes, one for heavy engineering, one for precision. So why is this a three-pass rule?
Truth is that two might be enough, but I’m not happy – I don’t trust myself enough – that this is enough to catch all the imperfections with this little work.
But before that, it’s time for a break.
Such intense work is likely to take you extremely close to the material. So close, in fact, that you start to lose objectivity and focus. So it’s my plan that before I go on for a third pass I take a long, hard go at something else before coming back to the work in question. This isn’t my idea, of course; it’s in all books of writing advice and the like. I’m just trying to (finally) put it into practice.
That’s where I am at the moment with New Gods, the last in my Antarctic trilogy. I did a major overhaul then cantered through it to fix obvious errors. Now I’ve set it to one side to let cool and to give myself a little distance before I go through it again.
This would also be the time to get beta-readers involved but I fear I’ve already blown all of mine on earlier drafts.
And, while I wait, I’m on to the next task. For writing is a production line and there should always be something on the conveyor belt.