On beginnings

Sometimes you need to hear something out loud to know what you were thinking all along.

Such is the case in my latest editing project: Our Kind of Bastard (and I still can’t tell if this is a good title or not). Despite this going out to beta-readers I still took the first chapter to my new writing group last week. There it got a very gentle, kindly-meant kicking, for which I am grateful.

The truth which I had not allowed myself to say out loud is that I struggled to start this novel. I have four beginnings, in fact, none of which run entirely sequentially and thus are a confusion for the reader.

The difficulty is that there is merit in all of them. But I know I have to lose at least two of those scenes in order to get a little flow going. It just took someone else saying it out loud for me to accept what at least a part of me knew all along.

This is, of course, another benefit of being in a writers’ group, manuscript exchange circle or the like. You are not always aware of what’s going on in your own subconscious and you need an outside force to bring it home to you.

Doesn’t help that OKOB is a sequel: I need to introduce all the characters and the world I’ve built in book one to remind veteran readers and at the same time give enough to newbies. And I need to crack on with the actual story that makes up book two.

So I have a problem – but then I always did have; the only difference is that now I’m aware of it. And now I know what I have to do: expand one scene to allow it to breathe, cut two others, and see if one of those, at least, can’t be worked back into the text further down the line. And, of course, I have to work out what information I haven’t now given and make sure anything essential gets fed back in somewhere.

This is writing. It’s a bloody difficult gig – don’t let anyone ever tell you it’s easy ‘cause it ain’t.

And this is only the opening scene.

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