So. Blurbs. In another week of not getting anything very productive done (sick child and imminent deadline) I turn my mind to blurbing – writing the copy that traditionally goes on the back cover of one’s book. If you’re successful your blurb may consist only of a list of other notables saying great things about you and your work. For the rest of us it’s possibly the hardest thing you’ll have to write. Harder, even, then the accursed synopsis.
A good blurb introduces the scene, the major characters and, perhaps most importantly, it sets the tone. It should tell people this is the sort of thing they’re looking for, whether they knew it or not. In these days of thumbnail covers and mobile-phone screens, a good blurb is a key weapon in the armoury of marketing.
All at 150 words max.
As a baby writer, I was somewhat surprised to realise that I was expected to write this myself. I assumed the editor or some underpaid underling would take on the task. Then I was even more surprised when my putative copy made it onto the back on my novel without e’en a comma, a character, changed.
Of course, your experience may vary. But I did it all myself, and have no-one else to blame for their shortcomings.
So Night Shift can still be found with the following:
Antarctica. A mining base at the edge of the world.
Anders Nordvelt, last-minute replacement as head of security, has no time to integrate himself into the crew before an act of sabotage threatens the project. He must untangle a complex web of relationships from his position as prime suspect.
Then a body is found in the ice. Systems fail as the long night falls. Now Anders must do more than find a murderer: he must find a way to survive.
Will anyone endure the night shift, or will ice and frozen corpses be all that remains?
96 words. Human Resources’ blurb was a whole 4 words longer, coming in at exactly 100:
Antarctica. A city on the edge of nowhere. Anders Nordvelt is chief of security in this frozen land, so, when a prominent member of a dissident group is murdered, it is his job to find the killer. Unsatisfied with the obvious explanation, Anders keeps pushing until the body of a colleague turns up in his apartment. Could Anders really be the killer? Why does he half-remember wielding the knife? And why are the whispers of a fabled Human Resources black-ops team getting ever louder? As for Anders, he’s about to enter a deadly game of cat-and-mouse with a ruthless killer.
I’m not ready to unleash New Gods’ blurb upon you yet. It’s still a work in progress. I can’t get it right, though I’m getting close, I think.
On paper, writing a blurb is a tiny job, almost an afterthought. After slogging away for 75-80k words, what’s another 150 on top of that? But those final words, they have a weight, a difficulty, far beyond their characters. There’s so much to say and such little space in which to say it; so much to convey and such little time to create a voice.
Still, it must be done. And there ain’t no-one gonna do it for me.