The inequality of words

OHI0153-NaNo-WordcountEnvyClinic-v2-600

I am on Twitter most days and one of the things I see most frequently is the author’s daily word-count. In it a writer will simply say how many words they’ve written today, or this week, or whatever. And it’s great. It’s lovely to see how people are getting on, to be able to support people if they’re struggling and to be inspired by another’s successes.

These totals vary from a few hundred – Ben Aaronovitch, for example, typically commits 500-700 words a day, though these are, I hear, finished, publisher-ready words – up to a friend’s purple-patch of around 6,000.

What gets me, though, is that these numbers are all treated as equal, as equivalent, when in reality they tell us very little. They are often a stick with which to beat ourselves when the comparison is, so often, completely unfair.

How does someone write 6,000 words a day? By sitting down behind a desk and getting on with it. Great stuff. But if they’re doing that they can’t be earning money. Unless they’re professional writers they must have either a job or a support-network that enables them to take the time out to write such a prodigious number.

word-count-typewriter

I have a small child, a part-time job and I get occasional freelance editorial work. These all take precedence over my real writing. I also have a spouse who works full-time and pays to send the smolrus to nursery two days a week so I can do my own thing. I’m very lucky – and yet my writing time is still horribly restricted. I could probably average about 5,000 words a week if free to get on with first-drafting.

But even that is a useless, artificial number: where in the first draft? At the beginning, when you’re filled with inspiration? At the end, when you’ve the joy of things coming together and you can see the finish-line? Or in the middle where every word has to be individually dredged up from the deep purgatory of your soul?

Not all words are equal.

If you’re out there with a full-time job, or with similar full-time commitments, it’s not fair on yourself to compete with these people who have the freedom to write at will. Averaging 100 words a day is fine – great, in fact. Anything better than zero is good. Hell, maybe you’re deleting vast swathes of experimental nonsense and your daily total is decisively negative. You’ve still accomplished something. Today you’re closer to the finished novel you envisaged than you were at the same point yesterday.

So by all means go and tell the world if things are going well. Just remember that numbers may be as much a reflection of privilege as of genius.

And make sure you share when things are a struggle too. Because, as far as I’m concerned, that’s the real inspiration. The strength to get down a single word when the world is falling  around your shoulders will always stand with me as much as 15,000 done by someone who never has to leave the comfort of their study.

Pitch Wars

21033_fantasy_knight_two_kinghts_fighting

‘No, my manuscript is better!” “Pah! You don’t even have multiple narrators.” “At least I don’t have a talking dog as a protagonist!” “You dare mock Wuffles? You must die!” [I’ve no idea who this picture’s by; I stole it from here]

I have decided that what I really need is serious, professional-level input to help me across that final gap; to make my novel ready for publication. And by publication I mean ready for agents. And by professional-level input I mean free professional-level input.

This is why I’m submitting Oneiromancer to this year’s Pitch Wars competition. Full details are here, but in essence it’s an opportunity to work with a mentor – a published author – to develop your novel and your query letter. Which is exactly what I need.

First you have to have a finished novel with at least a modicum of polishing. You also need a query letter, and a synopsis is desirable. Then you choose four potential mentors, and this is where it gets tricky. There are a hundred to choose from – though only 37 of these deal in adult stories, and of those I’ve a longlist of twelve who take urban fantasy.

This is the first time I’ve attempted anything like this. I’m not one for competitions – there aren’t many for full-length novelists and I’m too mean to pay. Or, rather, I’m too cautious for uncertain returns. I’ve spent a lot of my life being poor and such habits run deep.

But social media is gradually winning me over. Slowly I am expanding my circle of influences: gradually I am becoming aware of opportunities, of new writers and – I hope – new perspectives. If there’s one thing I beg you take from my blog it’s this: be open. Even if you just watch from the sidelines and stay silent – as I’ve spent a lot of my life doing – let yourself grow.

Maybe Pitch Wars will be a bomb. Maybe I’ll be eliminated after the first read-through and I’ll just face more rejection. But at least I’ll have re-examined my manuscript and met (virtually) a few more authors. I’ve already learned there’s a difference between US and UK query letters. Really, what have I to lose?

The point of blogging

Blogging for Fiction Writers

I’m curious what fiction writers have found works or doesn’t work in using blogs as part of their platform. It seems far easier for nonfiction writers, especially those who focus on particular subject areas, since they can provide a lot of added value for readers of their books by blogging on their subjects. But what about fiction writers? Thanks in advance for your input!

A question posted on LinkedIn ‘Books & Readers’

 

Kindle

In the best traditions of stealing ideas from other people, the above question got me thinking. And what I was thinking was that the questioner has missed the point.

A lot of you out there are writers. A lot of you are on Twitter, or have blogs of your own, or Facebook pages. How many of you are doing it to raise your profile? To sell books? For some similar purpose?

I’m doing the same myself. No point lying: I started this blog because I was advised that a successful author needs to be on social media, to have a groundswell of interest before publication, whether self- or traditional. To have presence.

Three years in and I can confidently say that hasn’t worked. Not that it’s been a failure either: I have followers, both of this blog (hi!) and on Twitter, that I wouldn’t have had before. But I’ve hardly got the legions of regular contributors that I’d happily dreamt of when I first committed text to internet. By any objective measure it’s been a failure. So why do I keep doing it?

Simple. Because I enjoy it.

And that’s the point. Even though some weeks I struggle to find anything interesting to write about, and some weeks I don’t feel like I’m publishing really quality or insightful posts: sometimes I wish I’d chosen fortnightly updates rather than weekly. But I enjoy it. I like the challenge. I like to have fun with words. I like to think of new angles upon which to focus. It’s one reason I gave myself a broad remit (‘A Writers’ Life’, rather than ‘This Particular Novel’, say).

And I think – although I can give no evidence – that this is truly the answer to the original poster’s question. The best way to ‘build a platform’ is to find something they enjoy and keep at it. I love Twitter. I have nothing to sell or to promote save vague promises for the future, but enough people seem to like my rambly tweets that I’ve a respectable number of followers. I’d like more because ego – and because soon enough I will have something to promote – but at the moment I’m happy with my slow progress.

Similarly this blog. I enjoy doing it. It’s good practice, and when eventually I do self-publish Night Shift and start sending out Oneiromancer to agents I will have that fabled ‘platform’ upon which to fall.

And, in the meantime, I’ve been opened up to other bloggers and writers and artists and I’ve expanded my own tiny perspective into a wider community.

So, Mr Original Poster, my advice to you – should you actually want it – is to relax and have fun. The benefits may come later. But for now, lay back and enjoy the process.

And, if you’re really, really interested, here’s a link to my (considerably longer) post on book promotion.