Cover issues

Had another battering from writing group yesterday, but I don’t think I need to go into that right now. I need more time to decompress. So instead I shall return to the vexed issue of self-publishing.

Now that I’ve committed – in mind if not in money – to the project, I need to follow through and make sure it happens and that it happens well as I possibly can make it. I’ve been worrying at the issue with a little reading and it seems like the following stages are pretty much nailed down:

  • Writing the damn book
  • Editing the same
  • Get cover designed
  • Format the interior layout
  • Publish
  • Market

But the more you read into it, the more difficult each section seems to become. The big problem I have is that most resources seem to focus intensely on the marketing of the novel and neglect the technical aspect: just how does one prepare a manuscript for publication?

Luckily, this is where the lovely community that I mentioned last week comes in. I’ve been fortunate to get lots of help and advice and I know I can turn to friends for assistance.

As for New Gods, I’ve already completed the first two steps. I have a product ready to publish. Now I need to commit to a cover designer, and this is where all terrors stalk me. I’ve been put on to, which is, apparently, where all editors and designers hang out, just awaiting your special commission.

Unfortunately I’m awful at making big decisions. I’d much rather trust word of mouth that go through a big, impersonal site, even if there are artist’s portfolios just awaiting my attention.

There’s also the question of timescale. Getting a cover takes time – an artist can’t just drop everything to get immediately to your (fairly minor) commission. I’ve been quoted a turnaround of six months, which is probably perfectly reasonable and not atypical but which needs to be accounted for.

Fortunately I have time. Human Resources was only published in November and I figure October/November is not a bad time to aim for to publish its follow-up. I have to think in such terms in order to make this a proper business project.

Project management – another skill that the self-publisher must learn in order to produce a successful project.

I also have to produce something that matches in style the previous two volumes in the trilogy. I need an artist who’s prepared to be constrained by my history, and that (I imagine) is not a little thing in itself.

And that’s it for now – another week, another round of musings. If I actually resolve any of these issues, you’ll be the first to know. Promise.

UPDATE: I have chosen a cover designer. I have been in contact with her and she’s agreed to take on the project. This might actually happen!

The road to Good


The first step towards doing something well is to do it badly.

I could be talking about more or less anything. The first draft; the rough demo, or sketch; hell, this blog usually requires a very erratic (and badly grammaticised) bash-through before I’ve worked out precisely what I want to say and how I want to say it.

You sit in front of the computer and you have an idea. You think it’s going to be easy. You struggle to get the words to appear, dark and dreamlike, in front of you, but something goes awry. The sentences don’t flow. Everything is half-baked, clumsy; like a five-year-old on his standardised national test, you shake and tremble and break down in tears as the dialogue that finally emerges seems to have come straight from the aforementioned five-year-old. Sucks to be you.

Be reassured. Everyone goes through this. And it’s easier to fix dodgy work than it is to pour genius onto a blank page. This is where I am with my artwork for Night Shift.


The image here is my first proper attempt at my front cover. I am not happy with it. The figure on the left looks like a robot. The body’s bum is too sharp. Nothing is consistent. There is a distinct lack of harmony.

But getting to this stage is a victory. This is my proof-of-concept: the first real manifestation of the idea I want to bring forth. I had to produce something I’m not happy with so that I can see what’s wrong with both the original idea and the execution – and so I can make subsequent versions better.

The first draft is always the hardest. It takes the most time as you struggle with your tools, with how best to use them, with a lack of prescience and a hole in the bottom of your skills-basket. The second – even if you have to totally scrap the original and start from scratch – will always be easier. You have a map. You have a plan. You know where you’re going. You can avoid the dead-ends and the boggy morasses in favour of higher, more solid, ground.

I will return to my artwork. I will modify my gradient maps (and if you don’t know what a gradient map is, neither did I until a few days ago). I will be more careful with my shading. And, once that’s done, I’ll turn my attention to the equally important choices of font, layout and scaling. Hell, if all else fails I’ve got an idea I can show to a professional so they can do it better.

Now I know where I’m going. With a little luck – and a lot of help – I’ll get there in the end.

The ruiners of bliss

Last week I explained in my usual half-assed, rough-and-ready way, my intention to self-publish. Now I need to confront my demons. I’ve never done anything like this before. I’ve no experience and no talent. And I want to do it properly. In my way stand three great enemies. They must be vanquished before I can proceed. They are:

  • Ignorance
  • Impatience
  • Indolence

and they are the ruiners of bliss.

I’m not bothered about formatting. Although the word ‘Styles’ with regards to MS Word still fills me with trepidation, and though I’ve never been closer than a basilisk’s glance from Createspace or any such software, I can cope with technical demands of formatting. Just tell me what to do and I’ll do it, even if it means going through my manuscript paragraph by paragraph and uplifting a chunk at a time.

No, what fills me with fear is the idea of creating a cover.

I have no artistic talent. I have no skill with Photoshop or any of the other magnificent cover-generating softwares. I have ideas – some possibly even good – and I know what I want. I can see the finished cover in my mind. But how to get from a vision to a reality? I am ignorant. And I don’t want to spend months learning new skills when it feels like a distraction from my real work. Nor do I want to pay to have it done for me. It’s not so much that I resent spending money (although I do), but that I want to do it myself – at least the thrashing-out of the plan, the original outline, which someone better than me subsequently polishes up.

I am also afraid of approaching a stranger. There is a touch of the misanthrope about me. People are scary.

I am ignorant of the ways of art. I am indolent in that I don’t want to take the time to develop said skills. And I am impatient to get it done whilst I have a bit of free time and a mind focussed on the project.

I am also determined not to put out a half-assed job. There are a lot of bad covers out there. I don’t want my work to be considered in their ranks.

So what do I do? The real enemy is not the task in front of me. It is in my head. That strange combination of cluelessness and possessiveness. This is my baby. I just have no idea how to present it at its best; shit, snot and vomit-free.

I want it all. I want a great job done without taking any time to learn how to do it and without spending any money. Is that really too much to ask?