Two guvnors

I have done but a single line of creative writing this side of Christmas. This is clearly sub-optimal. I’m not blocked, though, or taking ill-deserved time off; I am, in fact, as busy as I’ve ever been – just not with the things that matter to me.

Partly the problem is that I am very lucky. I have a day-job at which I spend twenty hours a week, plus a little time commuting and preparing. I then fill up the rest of the working week with writing or editing.

Thing is that my commercial editing arm has got really long recently. I am in demand, with all of two jobs awaiting my attention. This obviously isn’t many, not really, but it’s rare for me to have work stacked up; usually I work from one to the next, never quite knowing when my next job will come through.

It’s been like this since August. I’ve been so busy working on other people’s writing that it’s taken all the time I used to use for myself. And I’m not (honestly) complaining about that – it’s great. Good, interesting work that keeps me entertained and off the streets, or at least saves me from being too dependent on my wife.

It’s just that, what with spending some crumbs of time with my family and the odd moment for myself, my genuine, original writing has taken a back seat. This is beginning to eat at me; I have a half-finished novel just waiting for an ending (though I fear the amount of mental effort I’ll have to pour into it; editing is, for me at least, much the easier task) and I have my own books to problem-solve, thank you very much.

I am not good at turning down work. I am too afraid of being blackballed, or being seen as unreliable, or some red flag being appended to my name, to refuse paying tasks. As I said earlier, I’m used to working as the tasks come in and don’t have a great timetable of works ahead as the true professionals do. Thus I take what I’m given, and I work hard, and I get the job done, he says with a certain amount of pride.

But I want to write. I want to create. And I haven’t truly got the work-life balance right. In this day and age, how do we tell them apart anyway?

I have some great stories to tell. I need to carve out time to tell them.

Sack the juggler

And… breathe.

It’s busy times again and I must work on working on: I must find myself time to write. Recently I’ve been somewhat swamped with the dirt and diesel of modern life. Only now can I take stock and see what I’ve been missing.

I’ve barely presented any new writing at my weekly group meetings because I’ve been so buried in self-publishing, and in proofreading and copyediting that, though I have virgin writing to share, I’ve not had time to actually go over it and do the inevitable rewrites.

I’ve managed to carve little half-hours, here and there, and I’ve been inching on with my very brandish-new project (not the thing I’ve been editing; that’s Our Kind of Bastard. This is the as-yet-untitled sequel to that and Oneiromancer) but that’s slow, painful going, not helped by the piecemeal approach.

I’m juggling these things but sadly not very well. It’s more just waving balls around rather than a jaw-dropping transcendent many-limbed performance.

Sack the juggler.*

I’ve just handed in another editorial assignment and, though I do have another project checked in, things currently look a little calmer out in front of me. The self-publishing is done (bar any possible far-too-late edits, should any typos have crept through, and possible promotion opportunities). So it’s time for me to get back to what I do best I’m here to talk about.

I have to get better at balancing my time. I need to reprioritise and maybe say no to things sometimes. Because I’m not doing the fundamentals right now. For good reasons, maybe, but still, I’m failing.

I’m also eager to get back to it. I miss creating and picking away at a novel; as I said, it’s what I’m here to talk about and for too long I’ve not really been doing it.

So let’s get to it. No time for this! Whose idea was it to write a stupid blog anyway?

*How do you kill a circus? Go for the juggler

Reflections on feedback

I braved the feedback of my peers the other night. I took a chapter of Our Kind of Bastard, which sadly appears like it may be some kind of problem child, to my writers’ group for evaluation.

No matter how many times I do it – and this is hardly my first rodeo – reading before peers is never easy. I can’t help but compare myself; I see how slick my comrades are, how they have wonderful turns of phrase and a skill with similes that I simply don’t have. I see depths in them that I know I lack.

I know that it’s not fair to myself to perform this sort of comparison. I have strengths that others don’t, for sure; it’s just sometimes hard to see them, especially when my strengths lie in mood and story rather than in the wit of words. Still I feel like the one who drags down all the others. The bar-lowerer, if you will, which I’m sure is a useful person to be. I’m the one who makes everyone else feel better about themselves.

This isn’t meant to be some kind of self-flagellation piece; I’m not writing this in a mood for self-castigation. Rather I’m coming from a place of reflection about my writing.

One of the criticisms that I find most interesting is that I lost the character’s voice in the later half of the scene. It’s not that I drifted into another point-of-view, but that my POV character stopped adding her own commentary. This I’m struck by for a couple of reasons.

Firstly, the criticism is correct. Looking back, I did absent myself (herself) a little from the latter part of the scene. This is probably (or at least in part) because the scene was extended to give more description, to provide more context and texture. This dialogue that comes at the scene’s end is now less attached to the previous emotions than it was in a more concertina-ed version.

Secondly, this is something I tend to do, I think, and I’ve never noticed it before. I have a tendency to set up a scene, loaded in personalities and explanation, then step back and (try and) let the characters talk for themselves, without too much intrusion. This reached the point – and I’m thinking about in Oneiromancer here – where I had scenes that consisted almost totally with dialogue and I was barely aware of who the POV character was for that scene.

To say that this is/was a deliberate thing is probably to overstate the case a little. It just happened, and I let it happen. Problem is that now I’m not sure whether it’s a strength or a weakness. Some little ‘neutral’, factual scenes devoid of personal baggage… I like the idea of that. But it can’t be done too much. It risks shallowness and alienation. Readers like a personality to hold on to.

I think that the OKoB scene in question needs changing. I need my character’s voice, and I’m grateful to the critic for pointing the flaws out to me. Previous criticism is that my characters in this novel aren’t especially deeply drawn, and this is another opportunity to reinforce how my protagonist feels.

Beyond that, it’s something else for me to watch out for. Am I missing other opportunities, or is the odd ‘alien’ scene actually a strength? I don’t know. I’ll have to evaluate them on a case-by-case basis.

I am still learning. I am still learning not only how to write, but how I write. Every writer has their foibles and knowing your own can only help, right?

Get feedback on your work. The mirror the reader holds up to you will not always show the prettiest image, but it will be an interesting one. One from which to learn.

Balls in many courts

Snooker with Too Many Balls; Udehi Imienwanrin

Balls all over the place, that’s me. So much to do, so little time. I’m not the best at splitting my hours; the most urgent task is always the one I must be working on, no matter that I could space things out a little and multi- my tasks a little better. So it is that I’ve dropped everything to focus on copyediting with its concomitant deadline.

But that doesn’t mean I’m unaware of all the other things on my plate. Currently my attention is mostly on someone else’s world, but in the back of my mind there is an unattended first draft, a underdeveloped third (ish) draft and all sorts of other projects. If I was better at balancing I wouldn’t have left these things in abeyance, but they’re still lurking in the shadows, waiting just to steal a moment of my time.

So, the joy of things to come post-editation:

  • Self-publishing: Another thing with a hard (though self-determined) deadline. There are many things to do before the officially unofficial New Gods release of 26th October, not least of which is contacting my old publisher for some mutual publicity. I’m just awaiting the final final cover design before I move onwards and – well, onwards
  • Editing Our Kind of Bastard. This has somewhat stalled, partly for reasons of available hours in the day but also because I lost confidence in the manuscript. But there’s still a gosh-darn good story in there that needs telling so, once my mojo has returned a little, I’ll be back in the redraftorium giving it the old what-for
  • Writing the Top Secret New WIP. This has also stalled somewhat, mostly because I came to a really hard bit but also due to other priorities. But I’m still trying to chip away at it – another thing where I’m convinced there’s a good story to be told and that I’m determined to tell
  • Redoing this blog-cum-website. Let’s be honest here – it could all do with a bit of spit and polish, couldn’t it. I need a page with my own books put first and foremost. I need proper links to where people can buy my stuff. And it all needs a bit of love
  • Self-publishing. Don’t know if I mentioned this, but I’m self-publishing my book and there’s a lot to do. The terrifying bit is yet to come – the writing of emails and the begging of publicity-based favours

All of this has, of course, to accompany Real Life and The Paying of the Bills. And, doubtless, more deadlines will arise between here and there, and life will bring the unexpected, and all things are up for negotiation.

But I’m quite excited by things at the moment (with the possible exception of website reforms). I’m looking forwards to self-publishing. It is An Adventure. Not a straightforward task – though I know that to many it’s routine – but one that will take me into uncharted waters.

I just hope I can do my work justice. And I hope I can continue to walk forwards with all my other projects too.

Life is never easy. But sometimes the journey can be fun.

Editors of the subconscious

I am still working on my blurb. I am on draft 4 at the moment, and I am as uncertain as ever as to its efficacy. I am not going to talk about that today, however. It is time for me to move on and consider other matters.

Writing a story is all about making choices. Should a protagonist do this, or that, or should the narrative focus in this direction or on this rather attractive patch of wildflowers just sitting here in the dappled glade. As writers, we choose upon which to focus at every step. And it seems to me that the road not taken is sometimes as interesting as the path we do follow.

As I’ve been working on getting my metaphors in a row for self-publishing, I find that more than ever I’m aware of the options I’ve not selected. Partly it’s this ‘blurb’ thing: for perfectly good reasons, I’ve become aware that I’ve had to suggest a personal threat to the protagonist that is more of a background in the novel. And I’m wondering: was I wrong? Should I have made more of this in my story? It would have fitted but I chose – subconsciously, never consciously – to not make more of it. Was this a mistake? Could I have written a better novel?

Attempting to fit every single possibility into a story is a recipe for turgid chaos. We are editors of the subconscious and to try and cover the whole caboodle would not, I think, make for good fiction. Still, hindsight can be vicious. And often hindsight is the only clear lens we have.

Take, for example, the titling of my forthcoming book, New Gods. It’s been pointed out to me that I’ve missed a trick here. The first two books in the series – Night Shift and Human Resources – both have workplace connotations. Would it not have made more sense to have tied the third in with it and called it… oh, I dunno, The Temp or External Agency or somesuch?

Of course it would. But I am committed now. It’s been New Gods forever, and now the words are fixed upon the cover. And I am able only to lament a missed opportunity, and to explain a little. See, I never realized what I was doing. Human Resources was a late inspiration for a title: all though the original creation it had been called Australis – indeed, you’ll find it referred to as such in the earlier posts on this site. All through the drafting of New Gods I knew book two by its alternate title. So there never was an overarching titling ‘scheme’.

Hindsight again. More, it took an outsider to join the dots.

I maintain that New Gods is a good title. It came before the text was written, as with Night Shift. In my mind the title and the text are thoroughly entwined.

Still, I wish I’d been able to see a little clearer at an earlier stage. For the road not taken may have been the better option all along.

The final draft

The final manuscript is turned in. I have completed my last pass of New Gods. The work is done.

Not all the work, obviously. But I have the text that I’m going to take to typesetting and, reserving the right for a spot of last minute panic, the text that will be published when I finally go to press.

I can’t even remember how long I’ve been working on this novel. At least five years, I think; probably more like eight. I am not the quickest of copy-producers, it must be said; though this time includes many interwoven hours working on other projects. It’s hardly been a solid chunk of time.

Still, it’s been a while, and now it’s at an end. Unless there’s some last-minute meteorite-like strike, such as an emergency mind-change from the publishers of the first two novels, this is the text that’s going to make it out to the big wide world.

And now I move on to the next stage of the self-publishing process: typesetting. This is perhaps the stage that I’m most anxious about as I am a total ignoramus when it comes to such things. I don’t understand Styles and I don’t know fonts. I don’t know how to do chapter headings or to make things pretty. I also need to work out what vital info I’m forgetting to put on the inside cover, and then there’s the blurb…

Putting a book together is not an easy or straightforward thing. If it were we’d all be at it.

The other big thing I need to think about is whether or not I can find any decent text I can use in publicity. I’ve already posted a chapter of the text here on this blog. I’d love to post more, but I’m not great at choosing selections – I worry too much about context and whether, in fact, I’m any good at this writing business. Also I don’t want to give too much of the game away; really extracts have to be from the first third of the novel – possibly, maybe?

Ideally I’d have easter eggs to post – deleted scenes, character sketches (written or drawn) or similar exclusives. But I can’t think of anything that’s not terrible and never to see the light of day.

So I’ll mull on that. In the meantime, here’s a kitty with a strong political statement for your delectation.

Oh yeah, we got a kitten. That’s news, I spose.

In case you’re wondering…

In case anyone’s wondering, writing for the moment is going slowly and painfully, vanquished as it has been by the demands of work and of editing and It Being Bloody Hard.

My creative muscles seem to have atrophied. After a good, fast start to my new novel, I’ve run into the first real speed-mountain on my way to Completionsville. Creative decisions have stymied me and I’ve found it hard to focus, to put in the real brain-work needed to get over the hump.

This obstruction came just at a time when I found lots of other stuff on my plate; a return to frontline employment, a bevy of editing jobs and suchlike. Thus I allowed momentum to slip away and – though long-term an enforced break may prove beneficial – I have been unable to really get going again.

This is entirely my fault. Or the fault of my stupid brain.

Recently, external pressures have relented a little – or I’ve managed to find a little more balance in all my doings – and I’ve found myself with the odd hour or so here and there. I’ve allowed myself a final check-through of New Gods prior to typesetting as my Adventures in Self-Publishing continue. But I’ve been cutting that with a return to original writing. Or at least I’ve been trying to.

It’s really not going well. Typically I’ll manage to scrape only 100 words or so in a session, which is absolute peanuts. And I’m entirely unconvinced that they’re a good 100 words either.

That’s the negative way of looking at things. The positive is that I’m working through a really difficult section at the moment, and any progress at all is good. I’m trying to get back into the swing of things, to train myself back into the habit of writing and I have plenty of distractions, of other things to do, along the way.

There is no pressure on me to complete other than that I put upon myself. There’s no deadline, no quality control I have to meet. I’m doing this because I want to bring this idea (or set of ideas) to completion. And to prove that I still have what it takes to be a writer.

That pressure I put myself under is real, though. I still doubt, no matter what positive words I can wheel out; I still doubt I have what it takes to make a long-term career as a creative mind. That’s one reason this is so important to me.

In the meantime, I have paying jobs to work through and self-editing to achieve. So my creative time is limited (not that my other tasks don’t involve creativity) and I want to make the most of it. That’s why it hurts to be scratching around the floor for inspiration and motivation. I feel like I need a reboot, a hard reset, to get myself back in the groove.

Or maybe I just need more of a holiday. I’m actually going away – today, in fact – for a week’s ill-deserved vacation in the south-west. Maybe that’s what I need to reignite the touchpaper of writing rehabilitation. Or maybe just dealing with the little one intensively will make me more in need than ever.

We shall see.

It also means there may not be a blog next week, unless something especially grabs me – and I grab time – whilst I’m away. Consider yourselves forewarned.

Happy writing, y’all!

Feeling better

In between times, when I need a break from proofreading and can’t face getting any new words down on paper, I’m giving New Gods one last checkover before I format it for self-publishing. And you know what? It’s not bad.

I’ve been on a bit of a downer about my writing recently. I’ve started to worry whether or not I ‘have it’; am capable of writing to the level I want to present to the wider world. It says nothing that I’m published: a book’s publication is a commercial decision, not one based on quality. I’ve been doubting myself.

But now I find myself somewhat reassured. Not that I’m claiming genius, or great profundity, but I’ve been reading my own work and kind of not hating it. And I’ve been remembering how it felt when I was in the midst of writing the piece, remembering that at the time I felt like it was the best thing I’d ever written. And then I felt, yeah, New Gods and Oneiromancer represented a sort of high-water mark for my writing; when it all clicked and I was churning out decent work with ease. And then I thought Well, Our Kind of Bastard is fun too; maybe that sits up there. And then I thought my new thing might not be bad either.

Sometimes, when you’re in the midst of a trough, it’s a good idea to look at what you’ve achieved. Negativity comes easily – to me, at least. But I am a capable writer, and also the least accurate judge of my own prose. I am as good as many published writers. And you know what? You are too.

Because, as I said, a book is published to make money, not to win awards with its prose (as I understand, publishers enter books in awards-competitions to sell more copies, not to simply celebrate books they think wonderful – though of course they can’t do both).

So, after a rough few months – 2021 has not treated me kindly so far – I now feel a little more stable, a little more confident in my new abilities. I’ve had to take some time off from actual creative writing because I’ve had so many other things on my plate, and maybe this will prove to be long-term beneficial. I still gaze in awe at my contemporaries, still feel too old and a little burnt-out, but now I believe: there is a good writer in me.

I’m not anticipating many sales for New Gods. I’m not interested in doing great amounts of promotion. As I’ve said before, I’m putting it out to complete the Antarctic trilogy for both my few fans and for myself. There is too much competition in the world of indie authors for me to hold great dreams of runaway success.

But I am going to put out a work I believe in. And that means more to me than any number of sales.

No reason I can’t hope for both, I suppose.

Accidental holiday

I have become becalmed, lost in the doldrums, unable to advance or to reverse course; awaiting only a fair wind to ease me back into port.

Life has delivered unto me a change in routine, and now I can no longer get behind my keyboard, all bright-eyed and bushy-tailed for 08:30: instead I have to wait until the afternoon to return to my computer and I am not, as yet, psychically ready to create at that ungodly hour. I just want to fire up Civilization and listen to audiobooks; I don’t want to tangle with the world-weaving or the word-wrangling. I’m struggling even to go and talk to my friends on Twitter. Apologies to all of you, my friends, for being quiet of late.

I need to adapt. I need to embrace change and find a new way of going forwards. Which I will, I’m sure. But recently – this week at least – feels a little like I’ve been taking an accidental holiday.

There are things happening, however. I’m continuing busy with commercial editing (which makes creative writing-time even harder to find, but no matter). I am returning to self-publishing plans; I have begun the final proofread/last tinker/anxiety run of New Gods in preparation for formatting into an actual book-shaped thing. I have been in touch with the cover-artist, trying to work out exactly how a great piece of art is produced – which is to say that the roughs look wonderful, I’m just not sure what to do next.

And amidst all this I have a new novel some 18k words in existence. I have not forgotten you, dear yarn. I’m just leaving you aside for the moment whilst I work on other things. And I have Our Kind of Bastard to rewrite; that too is on one side whilst I try and recover some sense of writing identity. And anyway, I’m stuck with that. My beta-readers identified weaknesses that I don’t know how to solve.

Anyone knows what kind of oil is used on central heating, and whether that could become flammable if spilled on a troll? Cause a reader said that ‘heating oil’ wouldn’t work that way. I am stuck on that, and on the big McGuffin, that feedback has does not excite the reader.

I am letting it simmer as my brain does not seem up to do the heavy lifting at the moment. Partly, I feel, I need to retrain the muscles. Partly I need a break. Either way, this certainly feels like one of the busiest holidays I’ve ever been on.

Holding pattern

I am in a holding pattern, just waiting until I find the courage to return to my literary endeavours.

Life is often like this, for me. The pressure has built up, the self-imposed pressure that keeps us focussed and driven and on alert – it takes its toll, and so you enter a sort of levelled-off state that isn’t quite rest but just acts as a necessary break. Stopping things escalating as much as alleviating the situation. Like a kettle permanently just below the boil.

I am not writing right now. I wasn’t quite as ready as I thought I was – which is not to say that starting a new novel, or getting my beta-feedback, was a mistake – sometimes you have to try to find out just where you are. But I am taking a break whilst editorial work fills my horizon. Yes, I’m keeping busy with the world of writing, it’s just not my own right now. I still have so much to do; I have a whole novel to rewrite, another to create from nothing, another to self-publish.

But right now I am just keeping things ticking over, not pushing myself too hard, not blaming myself (too much) when I slack.

Writing is an activity where sometimes doing nothing is the most sensible option. To merely keep things turning over in the mind is progress; this business of word-counts doesn’t measure the intangible acts of creation that can occur anyplace, at any time.

And, also, it’s sometimes important to pause and work on things totally disconnected with the world of writing. Life is demanding, life can be hard; blaming yourself for just getting through is a road destined for burnout.

There’s also a lot of waiting and lean times ahead. I have a manuscript out with the Publisher of my Dreams and I don’t dare prod them as proddage may lead to a negative outcome. So I wait. And, if they do come back with a ‘no’, I’m not sure what then to do. I feel like I’ve exhausted all my options.

So I am in a holding pattern, circling the landing, afraid to commit and unable to move away.